11/14/2022 0 Comments Karen hood ron survival jesse![]() ![]() Ewing, in a poem named for that Chicago thoroughfare that becomes a testimony gradually yielding revelations: taking in Motion City Soundtrack at the Fireside Bowl, a long walk looking for work, one very disturbing bus ride.Īn implied transposition courses through this poem and Ewing’s new collection, Electric Arches. “All I ever really wanted you to know about me / was Fullerton Avenue,” writes Eve L. “Mud Stuck to our Shoes”: On The Insistence of Harm by Fernando ValverdeĬhicago: Haymarket Books, 2017. On Memorial Drive: A Daughter’s Memoir by Natasha Tretheweyīlurring the Obvious: Bluebeard’s First Wife by Ha Seong-Nan “Story Comes From Place”: On Site Fidelity by Claire Boyles New Worlds Forever Measured by the Old: On Burning Province by Michael Prior On Just an Ordinary Woman Breathing by Julie Marie Wade The Ductility of Person and Time in Saddiq Dzukogi’s Your Crib, My Qibla Our Final Words: A Review of Eternal Sentences by Michael McGriff The World Owes You Nothing: A Review of Mine! by Michael Heller and James Salzman On Places I’ve Taken My Body by Molly McCully Brown Reverberations and Divinations in Kazim Ali’s The Voice of Sheila Chandra Infinite Entanglements in Allison Cobb’s Plastic: An Autobiographyįrom Apocalypse to Apocalypso: On An Ecotopian Lexicon Near But Not Touching: On The Naomi Letters by Rachel Mennies On A Whole World: Letters from James Merrill “In Front of Strangers I Sing”: The Strange Intimacy of Paul Celan Poems That Linger: Peter Campion’s One Summer Evening at the Falls The Aesthetics of Cosmic Feminism: A Review of Magda Cârneci’s FEM Unearthing Memory and Reclaiming the Feminine in Shanta Lee Gander’s GHETTOCLAUSTROPHOBIA How History Claims Us: On Made to Explode by Sandra Beasley “Empire Gold” : A Review of Claire Meuschke’s UPEND
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